You. Tube makeup tutorial videos vloggers reach 7. Two fifths of British women watch beauty tutorials. How to create perfect smokey eye is. How to contour, highlight, do. By. Bianca London for Mail.

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Online. Published. GMT, 1. 8 March 2. GMT, 2. 0 March 2. In an age where looking picture- perfect in an Instagram selfie is all the rage (thanks, Kim Kardashian), it comes as no surprise that women are brushing up on their beauty techniques.

However, rather than devouring beauty manuals or picking up tips from their mothers, two fifths of British women are now watching their way to better beauty skills. A new survey has revealed that 4. You. Tube or dedicated blogs - an industry that's garnered 7.

Pixability. Booming industry: A new survey has revealed that two fifths of British women are watching the likes of Tanya Burr and other You. Tube bloggers to get beauty tips. The research revealed that 6.

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But what do we want to learn? How to create the perfect smokey eye is the most in- demand tutorial, followed by how to contour, highlight, do fancy dress make- up and pencil in our eyebrows.

And there's no denying the success of these bloggers - 3. Watch Shrink Online Hollywoodreporter more. Vouchercloud. com. Michelle Phan is You. Tube's leading star beauty vlogger with almost six million subscribers, more than 8. December 2. 01. 3 and a reported net worth of £1. Brit favourite Tanya Burr accumulates 1. Twitter followers.

Industry leader: American Michelle Phan is You. Tube's leading star beauty vlogger with almost six million subscribers. So influential is Tanya that she has created a range of lipglosses and nail varnishes on sale in Superdrug. When the products went on sale exclusively on feelunique. Speaking to Mail. Online about her success, the 2.

I'm not entirely sure how my You. Tube channel has become such a success, but I think it could be to do with my positive, friendly personality. Selfie tips: Tanya Burr has created a range of lipglosses and nail varnishes about to hit Superdrug on the back of her You. Tube success'I think the girls who watch my videos can relate to me as I'm not a traditional celebrity that seems unattainable, I'm still just a normal girl despite my large following. People say that when they watch my videos thy feel like I'm their friend and I love that.

When I meet fans in the street I always feel like we could be best friends as we seem to always have lots in common which is lovely! I think the world of You. Tube is amazing in that you can feel like you're hanging out with your girlfriends just by watching a video. It's also incredible in that, if it wasn't for my You. Tube channel, I wouldn't have started my own makeup line.'I couldn't have done it without the support of my fans. I spent a year and a half developing my lip gloss and nail polish range and was involved every step of the way.

I started with these products as I feel like lip gloss and nail polish are fun items of beauty as you can wear so many different colours and play around lots.'I love the colours I designed so much and I named them after all of my favourite things and places. For example, I got engaged in New York so I named one of the darker polishes New York Night and I love picnics so I named my favourite pretty pink gloss Picnic In The Park.'Tanya's good friend Zoe Sugg, who goes. Zoella, has four million fans and Ruth Crilly of A. Model Recommends, Lily Pebbles and Vivianna Does Makeup are also. You. Tube heavyweights.

Speaking about the You. Tube video and beauty blogging phenomenon, journalist and beauty blogger Charlie Lankston said: 'The great thing about online beauty tutorials is that they are incredibly relatable and easy to follow at home. The people in the videos give easy step- by- step guides and give opinions and thoughts on products which appear to be completely genuine and honest. Beauty chat: Lily Pebbles (right) and Vivianna Does Makeup are also You. Tube heavyweights'Seeing a product being used by a regular person - as opposed to a celebrity, or someone who has been photographed in the glossy pages of a magazine - gives a much more honest portrayal of how the product will really perform. I think it’s the honesty and the relatable nature of the videos that make them so appealing.'YOUTUBE'S BEAUTY HEAVYWEIGHTSZoe Sugg aka Zoella (4,1. Tanya Burr (1,9. 26,4.

Fleur from Fleur de Force (1,0. The Chapman sisters AKA Pixiwoos (1,5.

Lisa Eldridge (7. Estee from Essiebutton (4. Ruth Crilly (2. 13,4. Anna from Vivianna Does Makeup (1. Lily from Lily Pebbles (1. Amelia from Amelia Liana (8.

Paramount Releases Over 1. Tyrannosaur Full Movie In English more. Free Movies on You. Watch Jamesy Boy Streaming there. Tube. In a sweltering New Orleans, a wilted Southern belle collides with the dysfunctional marriage of her sweet sister and brutish brother- in- law. This is the plot of Tennessee Williams's classic play, A Streetcar Named Desire, which opened on Broadway in 1. But the story of its making and legacy is even wilder than Stanley Kowalski's screaming.

WILLIAMS SET THE PLAY IN HIS CHOSEN HOME. The boy born Thomas Lanier Williams III lived in Columbus, Mississippi, until he was 8 years old. From there, his traveling salesman father bounced the family around Missouri, moving 1. As he forged a path of his own, Williams wandered from St. Louis's Washington University to the University of Iowa to the New School in New York City, and even spent some time working on a chicken ranch in Laguna Beach, California. But at 2. 8, he found his “spiritual home” in New Orleans. There he officially changed his given name to the college nickname he'd come to prefer.

Inspired by the culture of the French Quarter, he wrote short stories and what would become one of his most popular plays. There he became Tennessee Williams, in more ways than one.

A STREETCAR NAMED DESIRE WAS NAMED AFTER A REAL STREETCAR LINE. Named for its endpoint on Desire Street in the Ninth Ward, the Desire line ran down Canal Street onto Bourbon and beyond. It operated from 1. Broadway, it was retired in favor of buses that were quieter and put less stress on the streets and surrounding buildings. Gone but not forgotten, one of the Desire cars was restored in 1.

In 2. 00. 3, the city even proposed resurrecting the streetcars and this famous line's name, but this dream died when federal funding was denied. STANLEY KOWALSKI WAS INSPIRED BY TWO MEN.

The name "Stanley Kowalski" was borrowed from a factory worker Williams met while living in St. Louis. But the playwright's true muse was Amado ‘Pancho’ Rodriguez y Gonzales, a Mexican boxer who was once Williams's lover, and who argued the character he inspired should be Latino, not Polish. Ten years his junior, Gonzalez met Williams when the writer traveled to Mexico City in late 1. Entranced by the macho 2. Williams invited Gonzalez to move into his New Orleans home.

Their relationship lasted only two years. By the time Streetcar Named Desire hit Broadway, Williams had moved on to who would be the love of his life, aspiring writer Frank Merlo. BLANCHE MAY HAVE BEEN A STAND- IN FOR WILLIAMS.

As a gay man, the writer had been mocked all his life, called "sissy" by sneering peers, and “Miss Nancy” by his drunken, abusive father. In some respects, he was like Blanche, a gentle Southern soul, thirsty for love and kindness, yet dangerously fascinated by gruff men. Elia Kazan, who directed both the original Broadway production of Streetcar and its movie adaptation, once said of Williams, "If Tennessee was Blanche, Pancho was Stanley…. Wasn’t he [Williams] attracted to the Stanleys of the world? Sailors? Rough trade? Danger itself? Yes, and wilder. The violence in that boy, always on a trigger edge, attracted Williams at the very time it frightened him.”The closest Williams came to commenting on this comparison was saying of his work, "I draw every character out of my very multiple split personality.

My heroines always express the climate of my interior world at the time in which those characters were created.”5. A STREETCAR NAMED DESIRE WAS WILLIAMS'S SECOND BIG BROADWAY HIT. In 1. 94. 5, Williams broke through with his groundbreaking autobiographical drama The Glass Menagerie. Just a year and a half after this acclaimed production closed, A Streetcar Named Desire opened to even greater praise. Reportedly, the standing ovation lasted for 3. THE PLAY WAS DRASTICALLY DIFFERENT FROM ITS BROADWAY CONTEMPORARIES.

In her historical essay on Williams, critic Camille Paglia notes that A Streetcar Named Desire was a total change from The Glass Menagerie. Where the former had a "tightly wound gentility," the latter boasted "boisterous energy and eruptions of violence." But more than that, "Streetcar exploded into the theater world at a time when Broadway was dominated by musical comedies and revivals." She adds, "the shocking frankness with which Streetcar treated sex—as a searingly revolutionary force—was at odds with the dawning domesticity of the postwar era and looked forward instead to the 1. IT CEMENTED WILLIAMS'S REPUTATION AS A MAJOR VOICE IN AMERICAN THEATER. The New York Times critic Brooks Atkinson proclaimed, "Mr. Williams is a genuinely poetic playwright whose knowledge of people is honest and thorough and whose sympathy is profoundly human." A Streetcar Named Desire went on to run for more than 8.

New York Drama Critics' Circle Award for Best Play. Jessica Tandy earned a Tony Award for originating the role of Blanche, and Williams was honored with the Pulitzer Prize for Drama. STANLEY KOWALSKI LAUNCHED MARLON BRANDO. At 2. 3, Brando was a method actor who was drawing praise in a string of Broadway roles.

The year before A Streetcar Named Desire debuted at the Ethel Barrymore Theatre, New York critics had voted him "Broadway's Most Promising Actor" because of his powerful performance in Maxwell Anderson's Truckline Café. His portrayal as Kowalski delivered on that promise, and then some. Playwright Arthur Miller wrote that he seemed "a tiger on the loose, a sexual terrorist … Brando was a brute who bore the truth." And this intensity was captured in the 1. Oscar nomination for what was only his second film role. A STREETCAR NAMED DESIRE REDEEMED WILLIAMS'S HOLLYWOOD REPUTATION. Following the success of The Glass Menagerie's Broadway run, Warner Bros. Williams to draft an adapted screenplay for a movie version.

But seeking a more commercial offering, they hired another writer to tack on a happy ending, behind Williams's back. The result was a critically panned dud that the playwright denounced as a "travesty." Nonetheless, Williams returned to Warner Bros.

A Streetcar Named Desire. This time, however, the director and most of the cast from the Broadway show were kept on for the film, which went on to earn an impressive 1. Academy Award nominations, winning four, including Best Supporting Actress (Kim Hunter) and Best Actress (Vivien Leigh). JESSICA TANDY WAS THE ONLY LEAD OF THE BROADWAY PLAY NOT CAST IN THE MOVIE. Hollywood didn't care about her Tony or her rave reviews. Warner Bros. needed a big name to assure the film's success.

So Tandy was dropped in favor of Leigh, who'd played the role of Blanche in a London production of A Streetcar Named Desire, but more importantly was a household name thanks to her first Oscar- winning role, that of Scarlett O'Hara in 1. Gone With The Wind. THE FILM WAS TAMER THAN THE PLAY. With mounting pressure from a public concerned about the influence movies have on children, Hollywood created The Motion Picture Production Code, a series of guidelines about what was acceptable and not in film. Thus, A Streetcar Named Desire's movie adaptation was forced to tone down some coarser language, and cut some of its most scandalous elements, like Blanche's promiscuity and her late husband being a closeted homosexual. For instance, in the play Blanche demands of her sister, "Where were you? In bed with your pollack!" In the film, she says, "In there with your pollack!"1.

WILLIAMS FOUGHT TO KEEP BLANCHE'S RAPE FROM BEING CUT. Following their climactic confrontation, the play implies Stanley rapes Blanche. But Warner Bros. felt this was too dark for the movie.

Williams and Kazan sparred with the studio over this. The former argued, "[The] rape of Blanche by Stanley is a pivotal, integral truth in the play, without which the play loses its meaning which is the ravishment of the tender, the sensitive, the delicate by the savage and brutal forces of modern society." Like in the play, this grievous crime occurs between scenes, but its implication is clear by the violent events that lead up to a fade to black. ONCE AGAIN, HOLLYWOOD TACKED ON A HAPPY ENDING.